Pilates,
developed in the late 1800's by Joseph H. Pilates,
is a method of total body conditioning that strengthens,
stretches and heals the body though proper movement.
Movement against, as well as with the assistance of,
outside forces (spring tension or simply the forces
of gravity), challenges the core of the participant
first and foremost. It is the "powerhouse" (the abdominals,
back and buttocks) that is the center of stabilization
for all movement. Flowing, precise, movements, working
along with the stabilization of the spine, allow the
body's musculature to become more balanced, similar
to a finely tuned automobile. Spinal articulation is
also incorporated into the Pilates method. With the
renewed support of the deep abdominal and back muscles,
the vertebral column simultaniously finds increased
length, increasing necessary space for discs. Students
quickly find the benefits of proper movement patterns
as they carry themselves into everyday life, from performing
the most simplistic tasks such as picking up heavy
groceries or climbing a flight of stairs to skiing,
horseback riding, golfing or walking on an icy path.
In addition, the body becomes long, lean and strong.
The benefits are never-ending. |
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Born in Deuseldorf, Germany in 1880, Joseph Pilates was
a sickly child. Determined to heal himself, Joseph
began experimenting with yoga, Greek training techniques,
martial arts and gymnastics and formulated what he called
contrology, a method of mindful movement. This method,
the culmination of all of these disciplines, focuses on mindfully
moving in a controlled pattern against the resistance of
gravity or later against spring resistance. In a British
internment camp during World War 1, Pilates used his method
to rehabilitate injured soldiers. Experimenting with
springs attached to hospital beds, he enabled his patients
to start applying movement and resistance to their muscles. His
ideas proved speedier recovery to those who practiced his
methods.
In 1926, Joseph boarded a boat to America where he met his
soon to be wife, Clara. Shortly after arriving in
New York, Joe set up an exercise studio at 939 Eighth Avenue.
In the basement of his studio, he developed specialized spring-based
equipment, which quickly became the essential component of
the Pilates apparatus we utilize still to this day. While
not much else is known about the earliest years of the Pilates
practice, by the 1940s Joe had achieved notoriety in the
dance community. "At some time or other," reported
Dance magazine in its February 1956 issue, "virtually
every dancer in New York, and certainly everyone who has
studied at Jacob's Pillow between 1939 and 1951, has meekly
submitted to the spirited instruction of Joe Pilates."
The Pilates movement gains in popularity
By the early 1960s, the Pilates' could count among their
clients many New York dancers. George Balanchine worked out "at
Joe's," as he called it, and also invited Pilates to
instruct his young ballerinas at the New York City Ballet.
In fact, "Pilates" was becoming popular outside
of New York as well.
As the New York Herald Tribune noted in 1964, "in dance
classes around the United States, hundreds of young students
limber up daily with an exercise they know as a pilates,
without knowing that the word has a capital P, and a living,
right-breathing namesake."
While Joe was still alive, only two of his students, Carola
Trier and Bob Seed, are known to have opened their own studios.
Trier, who had an extensive dance background, found her way
to the United States after she fled a Nazi holding camp in
France by becoming a contortionist in a show.
She found Joe Pilates in 1940, when a non-stage injury pre-empted
her performing career. Joe Pilates assisted Trier in opening
her own studio in the late 1950's and the Pilates' and Trier
remained close friends until the respective deaths of Joe
and Clara.
Bob Seed was another story. A former hockey player turned "Pilates" enthusiast,
Seed opened a Studio across town from Joe and tried to take
away some of Joe's clients by opening very early in the morning.
According to John Steel, one day Joe visited Seed with a
gun and warned Seed to get out of town. Seed went.
The second generation of "Pilates" teachers
When Joe passed away, he left no will and had designated
no line of succession for the "Pilates" work to
carry on. Nevertheless, his work was to remain. Clara continued
to operate what was already known as the "Pilates" Studio
on Eighth Avenue in New York where Romana Kryzanowska became
the director in around 1970. Kryzanowska had studied with
Joe and Clara in the early 1940's and then, after a fifteen-year
hiatus due to a move to Peru, re-commenced her studies.
Other students of Joe and Clara went on to open their own
studios. Ron Fletcher was a Martha Graham dancer who studied
and consulted with Joe from the 1940's on in connection with
a chronic knee ailment. Fletcher opened his studio in Los
Angeles in 1970, where he attracted many Hollywood stars.
Clara was particularly enamored with Ron and she gave her
blessing to him to carry on the "Pilates" work
and name. Like Carola Trier, Fletcher brought some innovations
and advancements to the "Pilates" work. His evolving
variations on "Pilates" were inspired both by his
years as a Martha Graham dancer and by another mentor, Yeichi
Nimura.
Kathy Grant and Lolita San Miguel were also students of Joe
and Clara who went on to become teachers. Grant took over the
direction at the Bendel's studio in 1972, while San Miguel
went on to teach Pilates at Ballet Concierto de Puerto Rica
in San Juan, Puerto Rico. In 1967, just before Joe's death,
both Grant and San Miguel were awarded degrees by the State
University of New York to teach "Pilates." These
two are believed to be the only "Pilates" practitioners
ever to be certified officially by Joe.
Other students of Joe and Clara who opened their own studios include:
The late Eve Gentry, a dancer who taught at the Pilates Studio in New
York from 1946 through 1968, also taught "Pilates" in the early 60s
at New York University in the Theater Department. After she left New York, she
opened her own studio in Santa Fe, New Mexico. Gentry was a charter faculty member
of the High School for the Performing Arts, as well as a co-founder of the Dance
Notation Bureau. In 1979, she was given the "Pioneer of Modern Dance Award" by
Bennington College. She later worked with the Phisicalmind Institute in
New York to promote Joseph Pilates' work.
The late Bruce King, who trained for many years with Joseph
and Clara Pilates, and was a member of the Merce Cunningham
Company, the Alwyn Nikolais Company, and his own Bruce King
Dance Company. In the mid-1970s King opened his own studio
at 160 W. 73rd Street in New York.
Mary Bowen, a Jungian analyst who studied with Joe in the
mid-1960s. Bowen began teaching "Pilates" in 1975
and founded "Your Own Gym" in Northampton, Massachusetts.